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Introduction: The Period
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair..."
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"...we had done so much, that we were in danger of doing too much..."
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"There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France."
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The Dover mail coach travels to London, carrying Mr. Jarvis Lorry, a banker with a mysterious message: "Wait at Dover for Mam'selle." The passengers are wary and distrustful due to the perilous times.
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"A coach, and six horses, and such a freight ofглядящие down faces, that for three miles all eyes were попеременно on the уведомление board behind, 'лайфing' FOR SOMEONE."
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"The Dover mail was in its usual рискованное state of uncertainty. Whether it would ever reach Dover, was a matter of глубокое speculation."
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"He had a secret to communicate, a message to deliver, which might be worth all the blood, if it could be saved."
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Mr. Lorry arrives in Dover and meets Lucie Manette, a young woman he knew as a child. He reveals that her father, Dr. Alexandre Manette, whom she believed to be dead, is alive and has been released from the Bastille after eighteen years of imprisonment.
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"His boots were covered with dust. He had a quantity of dust about him; somehow, there seemed to be more dust upon him than upon any dusty object in the stage-coach."
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"His manner was so dry and cold, that it seemed almost impossible to break the ice which had gathered about it."
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"I am a disappointed drudge, sir. I care for no man on earth, and no man cares for me."
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Lorry takes Lucie to a wine shop in a poor district of Paris, where they find Dr. Manette. He is mentally and emotionally scarred by his imprisonment and spends his days obsessively making shoes, his only link to the past.
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"The стук of the hammer was loud in the зале; the стук of his heart was louder."...
"His hands were постоянно at work. Sometimes, they were making something; sometimes, they were only twisting and turning, быстро and nervously."
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"'One hundred and five, North Tower!' He repeated it несколько times, in a low voice." (A cryptic and haunting echo of his imprisonment)
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Lorry and Lucie tend to Dr. Manette, trying to draw him back to life and reality. Lucie's presence begins to have a calming and restorative effect on him.
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"'I have come to bring you,' said Mr. Lorry, taking her hand, 'to your father.'"
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A large cask of wine spills in the streets of Saint Antoine, and the impoverished people rush to drink it, staining themselves red. The word "BLOOD" is scrawled on a wall, foreshadowing the violence to come. The Defarges observe the scene.
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"A large cask had been dropped and broken in the street. The wine had run out into the road; it had been trodden under foot, and lay all about, smelling faintly of an acidulous vintage."...
"It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The река of красное wine flowed on, дикий and dirty, to the морской."
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All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine."
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Lorry and Lucie bring Dr. Manette to England. He slowly begins to recover his memory and faculties, though he still occasionally reverts to his shoemaking as a coping mechanism
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"His memory was gone, and he was making shoes—making shoes as if his life depended on it."
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"Her father's white head was bent low over his work, and her own fair hair was touching it."
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Five years have passed. Charles Darnay, a French tutor living in England, is acquitted of treason thanks to the brilliant defense of Sydney Carton, a seemingly dissolute but intelligent lawyer.
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"Death is a recipe for totally forgetting everything that ever interested you."
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"The упорство of the почтенный old clerk, as he stood объясняя to the заседатель, was wonderful."
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Monseigneur, a wealthy and arrogant French aristocrat, exemplifies the decadence and indifference of the ruling class. His lavish lifestyle contrasts sharply with the poverty of the common people.
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"He had been known for a magnificence of display that had long since bought him into sharp distress."
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Mr. Lorry discusses Lucie with Dr. Manette, expressing his concern for her happiness. Dr. Manette assures him of his own restored mental state and his desire for Lucie's well-being.
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"He had carried his disappointment so long, that it seemed to have become a part of himself, a part of his expression, a part of his manner."
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Charles Darnay and Sydney Carton visit the Manettes. Carton, despite his cynicism, is deeply moved by Lucie's kindness and reveals a hidden depth of feeling.
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"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known."
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The complex relationship between Sydney Carton and Stryver is explored. Stryver, a pompous lawyer, takes credit for Carton's brilliant legal work, using him as his "jackal."
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"Sydney Carton, idlest and most unpromising of men, was Stryver's great ally."
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"Stryver, a glib man, and a fellow of some ability and great push, could never have been where he was without Carton."
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"He was so careless and indifferent, that he never appeared to care whether he performed his duties or not."
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The Old Bailey courtroom during Darnay's trial is depicted as a place of morbid curiosity and entertainment for the masses, highlighting the stark social divisions.
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"There were the witnesses for the prosecution and the witnesses for the defence, until it seemed as if all the world were witnesses."
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Monseigneur's opulent lifestyle and the casual cruelty of the aristocracy are further illustrated by an incident involving his chocolate and the indifference shown towards a fatal accident caused by his carriage.
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"The leprosy of unreality disfigured every human creature in attendance upon Monseigneur."
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The stark contrast between the Marquis St. Evrémonde's luxurious chateau and the poverty of the surrounding village is emphasized. His callous disregard for the lives of the peasants fuels their resentment.
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"The village had its one poor street, with its poor brewery, poor tannery, poor tavern, poor stable-yard for relays of post-horses, poor fountain, all usual poor appointments."
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"Repression is the only lasting philosophy. The dark deference of fear and slavery, my friend, will keep the dogs quiet..."
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The Marquis is murdered in his bed by a revolutionary named Ernest Defarge, who leaves a note signed "Jacques." This act symbolizes the growing unrest and the desire for revenge.
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"It was a heavy mass of building, that château of Monsieur the Marquis, with a large stone courtyard before it, and two stone sweeps of staircase meeting in a stone gallery over the door."
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Charles Darnay, the nephew of the murdered Marquis, renounces his family name and inheritance out of disgust for their cruelty. He proposes to Lucie, and Dr. Manette, after a moment of distress, promises not to let his past interfere with their happiness.
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"He made a solemn vow before the coffin, that if ever he found the man who had done this deed, he would devote his life to its destruction."
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"I will never ask you what you have told me. I will never seek to know what you conceal. But I charge you solemnly...that you assist me to the end."
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"Her father's loving arms were round her, and her mother's tears were falling on her face."
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Sydney Carton reflects on his wasted life and his growing love for Lucie. He recognizes his own worthlessness in comparison to Darnay but finds a sense of purpose in his feelings for her.
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Mr. Stryver, arrogant and self-assured, decides to propose to Lucie, completely misjudging her feelings and the dynamics of the Manette household.
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"Mr. Stryver then called his few friends about him, and told them that Lucie Manette was the prize he sought."
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"Think of a man of talent, Sydney," said Mr. Stryver, throwing his hat back on his head; "think of a man of talent, and figure."
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Stryver's clumsy attempt to propose to Lucie is gently but firmly rejected. He is bewildered and blames Carton for his failure.
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"His face had become frozen, as it were, in a very hard and stern expression."
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"He had seen her in her father's room, he had seen her at the trial, he had seen her going away from him with her husband."
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Jerry Cruncher, the odd-job man at Tellson's Bank, is revealed to have a secret and disturbing side: he is a "resurrection-man," digging up bodies for surgeons. His wife regularly "flops" (prays) against his activities.
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"...a woman of orderly and frugal habits; who had a strong sense of religious duty..."
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Madame Defarge is constantly knitting a register of those marked for death in the revolution. Her quiet intensity and unwavering focus are chilling.
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"Madame Defarge was a stout woman of about thirty, with a watchful eye that seldom seemed to look at anything, but saw everything that was being done."
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"She had a peculiar skill in netting, of which she had thoroughly availed herself."
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Defarge and a mender of roads discuss the aristocracy and the impending revolution. The mender of roads recounts seeing the Marquis run over a child, further highlighting the cruelty of the privileged class. Madame Defarge continues her relentless knitting.
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"'Extermination,' said Defarge; 'that the child may know that these things are not done with impunity.'"
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"'Tell wind and fire where to stop,' returned Madame Defarge, 'but don't tell me.'"
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Charles Darnay tells Dr. Manette his true identity as a member of the Evrémonde family on the night before his wedding to Lucie. This revelation deeply disturbs Dr. Manette.
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"'Monsieur Charles,' said Defarge, standing in the door, 'I wish you good night.'"
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"'In secret, and in silence, and in the face of death itself, Monsieur heretofore the Marquis, tells all.'"
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"The load of the stone was gone down, and had been carried away, and the образовавшийся пустота, бывшая the weight, was filled with порох."
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Nine months after the wedding, Lucie and Charles are happy and have a child. Dr. Manette has relapsed into his shoemaking, a consequence of Darnay's revelation. Sydney Carton is a frequent and welcome visitor.
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"The load of secret agony under which the prisoner had so long toiled, was thrown down, and fell away from him like a vestment."
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"A child was born to them."
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"Happiness had come to her, own bright Happiness and a little golden head."
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"Sydney Carton was an habitual visitor at the quiet corner, and had his own chair a little removed from the fire."
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"He never spoke of the past. But he did work, now; and his work was silently and steadily done."
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Mr. Lorry confides in Pross about his worries concerning Dr. Manette's relapse. Pross expresses her fierce loyalty to Lucie and her distrust of anyone who might harm her.
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"'I have no business here myself,' said Mr. Lorry. 'This is a matter of delicacy. I cannot interfere.'"
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"'I am a disappointed drudge,' said Mr. Cruncher, surlily; 'I am not allowed to be anything else.'"
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Sydney Carton has a heartfelt conversation with Lucie, professing his love for her and promising to do anything to ensure her happiness and the happiness of those she loves.
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"'For your sake, Lucie,'—Sydney Carton pleaded earnestly, 'I would do anything on earth that you asked me to do.'"
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"O Miss Manette, when I am laid in my grave, I wish to be remembered as a man who had a heart."
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The storming of the Bastille and the eruption of the French Revolution are depicted through the metaphor of echoing footsteps growing into a deafening roar.
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"The echoes of footsteps died away, and the swell of the surging revolution rolled onward."
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"A frightful sound arose. It had every characteristic of the cry of the sea, that has ever been known."
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The violence and chaos of the revolution intensify. The revolutionaries, fueled by years of oppression, take brutal revenge on the aristocracy.
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"They had been so patient and inoffensive that his guilt, and the base rank to which it reduced him, were almost unbearable."
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"Down with the chateau, down with the oppressor, down with him high over all!"
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The Evrémonde chateau is burned to the ground by the revolutionaries, symbolizing the destruction of the old order.
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"The château was left to the guardianship of certain of the peasant men and women who had been foremost in the revolt."
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Mr. Lorry receives a message from Gabelle, an employee of the Evrémonde estate, who has been imprisoned. Despite the danger, Charles Darnay feels compelled to return to Paris to help him, drawn by a sense of justice and his past.
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Charles Darnay arrives in Paris, drawn by a letter from Gabelle, an imprisoned former servant. However, upon arrival, Darnay is immediately denounced as an émigré and imprisoned in La Force, a grim revolutionary prison.
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"The sea of black and threatening waters, which had of late begun to subside, was mounting to a terrible height."
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"'Liberty, Equality, Fraternity, or Death;—the last, much the easiest to bestow, O Guillotine!'"
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"He knew that if he was denounced—and against such new, fierce citizens, how could he hope to prove himself?—he would be lost."
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Mr. Lorry arrives in Paris with Lucie, her father, and Miss Pross. They witness the horrifying scene of revolutionaries sharpening their weapons on a grindstone, their faces grimly determined. Dr. Manette's past imprisonment grants them some safety.
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"Hunger was pushed out of the tall houses in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of fire-wood that the man sawed off..."
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"The eye of the populace was the eye of a tiger, and they would have torn him limb from limb if he had dared to resist."
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"Tellson's Bank, though feeling the неспокойствие of the time, надеялось that some разумный arrangement might be come to."
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Defarge leads Mr. Lorry to Dr. Manette, who uses his status as a former Bastille prisoner to gain access to Darnay in La Force. Lucie is distraught with worry for her husband. Madame Defarge remains a looming, vengeful presence.
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"One cannot help thinking of the spiritual sickness which must have directed all this."
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While Darnay is imprisoned, Lucie waits near the prison, hoping to catch a glimpse of him. Dr. Manette, though deeply concerned, uses his influence to try and help his son-in-law. Miss Pross remains a steadfast protector.
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"He was so much the more anxious, owing to his knowledge of the state of Paris."
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Lucie stands near the prison daily, and a wood-sawyer, a former mender of roads, becomes a strange, unsettling figure in her vigil. His seemingly innocent sawing motions become symbolic of the relentless march of the revolution and its executions.
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"The mender of roads looked at the prisoner, and with a natural hesitation in his manner, asked: 'Monsieur heretofore the Marquis!'"
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"It is droll to think," said the fellow, "that until last year, I and my comrades were at his chateau, and had no privilege whatever there."
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Darnay's first trial before the revolutionary tribunal is surprisingly successful, largely due to Dr. Manette's moving testimony about his own suffering and his belief in Darnay's character. Darnay is acquitted and briefly reunited with his family.
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The family's brief happiness is shattered when Darnay is denounced again, this time by Defarge and one other. He is rearrested and taken back to prison.
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Mr. Lorry seeks help from an old acquaintance, Solomon Pross (Miss Pross's long-lost brother, now a spy named John Barsad). Barsad's connections within the prisons become a potential avenue for helping Darnay.
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"Citizen Doctor," said Madame Defarge, speaking to him in her usual calm, confident voice, "is it not necessary that this man be put in a secret cell?"
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Carton reveals to Lorry that Barsad is a spy and that he has a plan to save Darnay. He instructs Lorry to be ready for a quick escape the next day. Carton's demeanor is resolute and mysterious.
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The second denunciation against Darnay is revealed to have come from Madame Defarge. It stems from the Evrémonde family's past cruelty to her family, including the death of her brother and sister. Dr. Manette's own letter, written during his imprisonment, inadvertently condemns Darnay.
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Carton wanders the streets of Paris, visiting the wine shop and overhearing Madame Defarge's relentless thirst for vengeance against the entire Evrémonde lineage. He understands the immense danger facing Lucie and her child.
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"Darkness closed around, and the great bell of Notre Dame tolled out hour after hour."
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"If you are not going to save him, if you are going to let him die, tell me so; and I will know what I have to do."
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Carton makes his final preparations. He writes letters, including one to Lucie, expressing his love and self-sacrifice. He secures Barsad's cooperation to gain access to Darnay in prison.
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"Sydney Carton, and the Attorney-General were drinking a bottle of port together in a private room that faced the street."
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"I am afraid you must have been doing a great deal of harm in your life, if you can do so much good at this death."
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"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known."
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The day of the executions arrives. Carton enters Darnay's cell, drugs him, and arranges for him to be carried out of the prison by Barsad. Carton takes Darnay's place, ready to sacrifice his life.
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"I see a beautiful city and a brilliant people rising from this abyss..." (Carton's vision)
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Madame Defarge goes to the Manettes' lodgings, intent on denouncing Lucie and her child as part of the Evrémonde lineage. Miss Pross confronts her in a fierce struggle, ultimately killing Madame Defarge but also becoming deafened by her own pistol shot.
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"Then tell Wind and Fire where to stop," said Madame Defarge. "But don't tell me."
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The chapter depicts Carton's final moments as he is taken to the guillotine. He finds peace and a sense of purpose in his sacrifice, his last thoughts filled with a vision of a happy future for Lucie and her family.
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"I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me shall never die." (Words Carton remembers)
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"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known."
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IDEAS CURATED BY
CURATOR'S NOTE
Charles Dickens' A Tale of Two Cities is a masterful story set against the turmoil of the French Revolution, weaving themes of love, sacrifice, and redemption. The novel explores the stark contrasts between London and Paris, capturing the struggles of social injustice and human resilience. With unforgettable characters like Sydney Carton and Madame Defarge, it delves into the depths of morality, heroism, and transformation. A timeless tale of the best and worst of humanity, still resonant today... WITH SOME SUPRISE RUSSIAN!!!
“
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Curious about different takes? Check out our book page to explore multiple unique summaries written by Deepstash curators:
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